Gouache
Opaque watercolor used for centuries in art and design.
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Gouache is a type of water-based paint that is made opaque by design. Its ingredients include natural pigment, water, a binder (typically gum arabic or dextrin), and sometimes an inert filler. This paint has been in use for at least twelve centuries, with early examples found in Ancient Egyptian painting, where honey or tragacanth gum served as the binder.
History
European illuminated manuscripts and Persian miniatures also employed gouache, though these are often mistakenly called watercolors. The word itself comes from the Italian guazzo, meaning "mud," which originally described a 16th-century technique of applying oil paint over tempera. In 18th-century France, the term was used for opaque watermedia.
Gouache shares traits with watercolor: it can be rewetted, dries to a matte finish, and can soak into paper. But it is heavier and more opaque than watercolor because its pigment particles are larger, the pigment-to-binder ratio is higher, and a white filler like chalk may be added.
Description
This gives it greater reflective qualities. Unlike watercolor, gouache changes value as it dries—lighter tones usually darken, and darker tones lighten—which can make color matching tricky across sessions. Its quick coverage and total hiding power allow for more direct painting techniques, such as those used in en plein air work by artists like J. M. W. Turner.
Commercial artists have long favored gouache for posters, illustrations, comics, and design work. In the 20th century, most animation used it to create opaque color on cels, with watercolor for backgrounds.
It dries completely through water evaporation, making it fast and desirable as "poster paint." Gouache can be applied with a brush or airbrush, and has been used on unusual surfaces like Braille paper and cardboard. A notable variation is the gouaches découpées (cut collages) of Henri Matisse, as seen in his Blue Nudes series. A newer formula is acrylic gouache, which uses an acrylic-based binder instead of gum arabic, remains water-soluble when wet, and dries to a matte, opaque, and water-resistant finish.
Historically, gouache was often made by mixing gum arabic-based watercolors with an opaque white pigment. In the 19th century, industrially produced watercolors in tubes (invented in 1841) included "Chinese white" for this purpose. Artists frequently combined gouache with watercolor, ink, or pencil.
Later that century, cheaper "poster paint" based on dextrin binder was mass-produced in cans or as powder. Dextrin replaced older binders like hide glue or size. In the 20th century, manufacturers began producing gouache in tubes for fine art, initially with gum arabic, though cheaper brands soon used dextrin, as do most children's paints today.
Lore & Background
Gouache, also known as body color or opaque watercolor, is a water-medium paint composed of natural pigment, water, a binding agent such as gum arabic or dextrin, and sometimes an inert material. It is designed to be opaque. The paint is similar to watercolor in that it can be rewetted and dries to a matte finish, and it can become infused into its paper support.
However, gouache is modified to be heavier and more opaque than watercolor, with larger pigment particles, a higher pigment-to-binder ratio, and often an additional white filler like chalk, which gives it greater reflective qualities. When wet, gouache appears one value but generally dries to a different one—lighter tones usually dry darker, and darker tones tend to dry lighter—making color matching across sessions challenging. Its quick coverage and total hiding power allow for more direct painting techniques than watercolor, a quality exploited in plein air painting and by artists like J. M. W. Turner.
Commercially, gouache is widely used for posters, illustrations, comics, and design work; most 20th-century animations employed it for opaque color on cels, with watercolor used for backgrounds. It can be applied with a brush, airbrush, or on unusual surfaces like Braille paper or cardboard. A notable variation is acrylic gouache, which uses an acrylic-based binder instead of gum arabic, dries to a matte, opaque, and water-resistant finish, and contains additives to ensure that matte quality. Historically, a form of gouache with honey or tragacanth gum was used in Ancient Egyptian painting, and European illuminated manuscripts as well as Persian and Mughal miniatures are predominantly examples of gouache, though often mischaracterized as watercolor.
The English word derives via French from the Italian guazzo, meaning "mud," originally applied to a 16th-century practice of applying oil paint over a tempera base. During that century, artists often mixed gouache with pastel for fine details, and in the 19th century, industrially produced watercolors in tubes included a "Chinese white" tube for this purpose. Later, mass-produced "poster paint" using a cheaper dextrin binder replaced older hide glue or size paints.
Reader's Guide
Gouache is significant for its opacity and versatility, allowing direct painting techniques and complete hiding power. It is similar to watercolor in being rewettable and drying to a matte finish, but differs in having larger pigment particles, a higher pigment-to-binder ratio, and often an additional white filler such as chalk. This makes it heavier and more opaque, with greater reflective qualities.
Gouache dries to a value that differs from its wet state, which can make color matching difficult. It is widely used by commercial artists for posters, illustrations, comics, and design work, and was used in most 20th-century animations for opaque color on cels. A newer variation is acrylic gouache, which uses an acrylic-based binder and dries to a water-resistant, matte surface.
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Sources
Compiled from Wikipedia and the sources listed below. Text from Wikipedia is available under CC BY-SA 4.0; this entry is adapted from it.
- Wikipedia: Gouache (CC BY-SA 4.0).
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