The End of the World News: An Entertainment
A novel weaving Trotsky, Freud, and the end of the world.
Anthony Burgess's 1982 novel *The End of the World News: An Entertainment* is a single, unbroken narrative that braids three separate storylines. One follows Leon Trotsky during his 1917 visit to New York City, just before the Russian Revolution, and is written as the libretto for a Broadway musical. Another is a fictionalised biography of Sigmund Freud, told through dialogues with his family and contemporaries, beginning with his emigration from Vienna before World War II and moving non-chronologically through his life. The third is a science-fiction tale set in the future, where Earth is destroyed by a collision with an extrasolar planet called Lynx. The entire novel is framed as a chronicle being told to children in the distant future.
In the Freud section, the psychoanalyst lives in Vienna with his family when Nazi stormtroopers raid his home, seeking books to burn and money from wealthy Jews. His friend Dr. Ernest Jones persuades him to flee to England. Freud, suffering from jaw cancer, speaks with difficulty due to a prosthesis. His daughter Anna is briefly detained for questioning. Before leaving, Freud must obtain a certificate of non-objection and sign a statement that he was treated well by the Gestapo. On the train to France, he recalls key episodes: early debates about hypnosis, his discovery that neuroses need not have a physical cause, his use of cocaine (which led to a patient's overdose), and criticisms from colleagues like Breuer, Meynert, and Krafft-Ebing. He remembers seeing *Oedipus Rex* and resolving to write about it. He recalls a suicidal woman whose guilt he attributed to sexual desire, leading her husband to strike him. On an Alpine vacation, he treats a hysterical girl, diagnosing a suppressed wish to kill her mother; his wife Martha suggests the girl might have imagined the sexual incident with her father too, panicking Freud. After his father's death, Freud feels guilty. A patient sent by Professor Nothnagel refuses to free associate, and Nothnagel later dismisses Freud's work as trickery. A young man suicidal over his homosexuality is treated; his father is furious that his son now "rejoices in his depravity," but his mother, who liked *The Interpretation of Dreams*, promises to speak to the Minister of Education. Freud announces that parliament has approved psychoanalytic therapy.
- Author
- Anthony Burgess
- Published
- 1982
- Genre
- Novel
- Nationality
- British
- Known for
- Weaving three stories: Trotsky in New York, Freud biography, end-of-world tale
Lore & Background
The novel contains three interwoven stories. The first follows Leon Trotsky in New York City in 1917, where he commissions a young woman named Olga to transcribe his musings. Trotsky upsets locals by doubting the American worker and calling World War I a 'useless war.' Olga eventually leaves, suspecting his lies, and Trotsky leaves after hearing of a revolution in his home country. The second story is a non-chronological biography of Sigmund Freud, beginning with his emigration from Vienna before World War II. It depicts his home raided by Nazi youths, his cancer of the jaw, and his memories of patients, colleagues, and the formation of the Vienna Psychoanalytic Society. The third story is a fantastic tale of the end of the world caused by the extrasolar planet Lynx colliding with Earth. A secret project evacuates fifty scientists on a spaceship from Kansas, led by Professor Hubert Frame and his daughter Vanessa Brodie. Vanessa divorces her husband Val so he can qualify for the spaceship, but Val misses the flight and later realizes the spaceship's location from his own sci-fi book.
Reader's Guide
The End of the World News is significant as a postmodern novel that blends historical figures with speculative fiction and musical libretto form. Its structure—three stories without chapter breaks—challenges conventional narrative. The Freud section offers a fictionalized, non-chronological biography that highlights his struggles with cancer, Nazi persecution, and professional betrayals. The Trotsky section satirizes American politics and revolutionary idealism. The end-of-world tale critiques selective salvation and religious fanaticism, as seen in the subplot of Edwina Goya believing her unborn child is the Second Coming. The novel's legacy lies in its experimental form and its commentary on history, memory, and catastrophe.
Did You Know?
- The novel is presented as a chronicle told to children in the far future.
- Freud's story begins with his emigration from Vienna shortly before World War II.
- The end of the world is caused by an extrasolar planet named Lynx colliding with Earth.
- Trotsky's story is written as the libretto of a Broadway musical.
Frequently Asked Questions
Who wrote The End of the World News: An Entertainment?
Anthony Burgess, the British author celebrated for A Clockwork Orange, penned this 1982 novel. It is one of his more experimental works, set apart from his better-known dystopian fiction.
What are the three storylines in The End of the World News: An Entertainment?
The book braids together a Broadway-musical-style dramatization of Leon Trotsky's 1917 New York visit, a non-chronological fictionalised biography of Sigmund Freud told through family and peer dialogues, and a science-fiction scenario depicting Earth facing its end. These three threads run simultaneously rather than sequentially.
How is The End of the World News: An Entertainment structured?
Burgess presents the entire novel as one continuous, unbroken narrative with no chapter divisions, weaving all three plots into a single stream. The Freud material in particular jumps around his life non-chronologically, opening with his pre-WWII emigration from Vienna.
What genre does The End of the World News: An Entertainment fall under?
It resists a single label, blending science fiction, biographical fiction, and theatrical libretto writing within one novel. Burgess's own subtitle, 'An Entertainment,' signals his deliberately playful, multi-form approach to storytelling.
Why do fans consider The End of the World News: An Entertainment significant in Burgess's catalogue?
It demonstrates his range far beyond dystopian fiction by stitching a political-historical scene, a psychological biography, and a speculative future into one unbroken text. Scholars and readers often cite it as proof of his willingness to experiment with structure and voice.
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