Women of the World
A 1963 Italian shockumentary on women worldwide.
Women of the World (originally titled *La donna nel mondo*) is a 1963 Italian mondo film, often categorized as a "shockumentary." It was written and directed by Gualtiero Jacopetti, Paolo Cavara, and Franco Prosperi. The film was released in Italy on February 28, 1963, after the international success of its predecessor, *Mondo Cane*, which had premiered in Italy on March 30, 1962. The English-language version was narrated by Peter Ustinov. Unlike the first film, which relied heavily on leftover footage, *Women of the World* was primarily composed of newly shot material, though it follows a similar travelogue format, presenting vignettes meant to shock or surprise Western audiences by showing glimpses into the lives of women around the world. Unlike *Mondo Cane*, which had no central theme, this film was marketed as a titillating look at feminine flesh, exotic sexual practices, and intrigue. As with the earlier film, some scenes are staged or creatively manipulated, despite claims of being a genuine documentary.
The film opens with a series of vignettes from around the world, including a retired Scotsman on Iwa Island (though his name is not confirmed in canonical sources) living with 84 wives, aged 13 to 18, and their 52 children. On an island off Australia, the absence of women leads many men to act out the roles of seductive mermaids. Later, the film features servicemen in dress uniform marching down city streets, gazing at women lining the route, and Israeli women soldiers shown nude bathing.
In Europe, Bastille Day celebrations in Paris include passionate public kissing among strangers. In Ravenna, Italy, women line up to kiss the military statue of 15th-century condottiero Guidarello Guidarelli. Sweden’s only female minister conducts mass. Parisian cabarets welcome gays and lesbians. In Papua New Guinea, homosexual tribesmen preen while women do chores. On the nudist Île du Levant in France, bodies are fully on display. In China, women bathe outdoors in light gowns to avoid sun damage.
In New Guinea, women bathe in mud to lighten their skin. On Sardinia, paid female mourners enhance funeral services. Tahitian women perform sensual dances. At the Cannes Film Festival, starlets strip to brief bikinis for photographers. In Hollywood, women waiting for their big break work as elevator operators or gas station attendants.
Quick Facts
- Director
- Gualtiero Jacopetti / Paolo Cavara / Franco Prosperi
- Narrator
- Stefano Sibaldi / Peter Ustinov (English-language version)
- Cinematography
- Antonio Climati / Benito Frattari
- Music
- Nino Oliviero / Riz Ortolani / orchestrated and conducted by Riz Ortolani
- Editing
- Gualtiero Jacopetti
- Studio
- Cineriz
- Distributor
- Embassy Pictures
- Released
- 30 January 1963 · Italy
- Runtime
- 110 minutes
- Country
- Italy
- Language
- Italian
Facts from the source article.
Lore & Background
Women of the World was marketed as directly promising a titillating display of feminine flesh and intrigue as well as exotic sexual practices, unlike the previous film which had no specific central subject matter but rather presented a kaleidoscopic display of shocking content. As with the first film, despite its claims of being a genuine documentary, a number of the depicted scenes are either staged or creatively manipulated. The film opens with a retired Scotsman on Iwa Island living with 84 wives, and Australian island men acting as seductive mermaids. Later vignettes include servicemen in a festive march and Israeli women soldiers nude bathing.
Reader's Guide
Women of the World is significant as a follow-up to Mondo Cane, the film that launched the mondo genre. It solidified the pattern of presenting staged or manipulated footage as documentary, a hallmark of the shockumentary style. The film's focus on women and sexual practices, marketed as titillating, expanded the genre's appeal and controversy. Its censorship battle in Memphis, Tennessee, led to a 1965 federal court decision that shut down the city's film censor board, marking a notable moment in First Amendment jurisprudence. The film's dedication to Belinda Lee, an actress who died in a 1961 auto crash that also injured directors Jacopetti and Cavara, adds a personal and somber note. The film's legacy lies in its influence on later mondo films and its role in pushing boundaries of documentary ethics and censorship.
Did You Know?
- The film consists mostly of leftover footage from Mondo Cane.
- A 1965 federal court decision in Memphis, Tennessee, shut down the city's film censor board after a dispute over cuts to this film.
- The English language print was narrated by Peter Ustinov.
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