Non-Linear Storytelling

Lore & Background

The New Hollywood period of the 1960s to 1980s was influenced by the romanticism of the classical era. During this time, filmmakers sought to take bigger risks in pursuit of specific interests amidst a general mistrust of authority. Martin Scorsese is explicitly named as a notable director from the 1970s who used new editing and character types. The text notes that these directors built upon classical conventions while adding personal approaches.

In Their Own Story

The only specific film titles mentioned in relation to the New Hollywood era are 'Bonnie and Clyde' and 'The Graduate'. The source describes general historical contexts, such as the transition from silent to sound films and the dominance of the studio system, but offers no fictional story elements or plot summaries for Scorsese's work.

Reader's Guide

The source outlines that classical Hollywood cinema is distinguished by narrative logic progressing through psychological motivation, where characters are active and goal-oriented. It describes continuity editing devices such as the 180-degree rule and the 30-degree rule, which were pioneered in films like 'A Trip to the Moon' (1902) before the official start of the classical era. The text mentions that jump cuts are allowed only in the form of axial cuts.

Did You Know?

• Martin Scorsese is named in the source as a notable director from the 1970s New Hollywood period.
• The source says Scorsese used new editing and character types.
• New Hollywood filmmakers built upon classical conventions while adding personal and experimental approaches.
• The New Hollywood period of the 1960s to 1980s was influenced by the romanticism of the classical era.
• Filmmakers in the New Hollywood era sought to take bigger risks amidst a general mistrust of authority.