Jimi Hendrix Codexery

People, Hell and Angels

Unearthed echoes from the Electric Lady Studios vaults.

People, Hell and Angels is a posthumous compilation album released by Jimi Hendrix in the mid-1990s. It serves as a curated collection of unreleased studio recordings primarily sourced from sessions at Electric Lady Studios during his final creative years.

Quick Facts

Artist
Jimi Hendrix
Released
5 March 2013
Recorded
March 1968 – August 1970
Studio
  • Record Plant, Hit Factory, Sound Centre, Electric Lady
  • New York City
  • Fame, Muscle Shoals, Alabama
Genre
Blues rock
Label
Legacy
Producer
  • Jimi Hendrix
  • Eddie Kramer
  • Janie Hendrix
  • John McDermott

Facts from the source article.

Lore & Background

This album represents a significant chapter in the ongoing preservation of Jimi Hendrix's musical legacy. Following his untimely death, many tapes remained in storage, waiting for technology to mature enough to restore their quality without losing the original analog warmth. The mid-1990s saw a renewed interest in archival releases, allowing fans to hear experiments that were never intended for commercial radio play at the time. The collection captures a specific moment of transition in his artistry, blending psychedelic experimentation with more structured songwriting. It highlights the collaborative spirit that defined his later work with musicians like Billy Cox and Mitch Mitchell. For collectors, this release offered a tangible connection to the creative process behind his final studio efforts.

Reader's Guide

The recording sessions for this collection primarily stem from the late 1960s and early 1970s at Electric Lady Studios in New York City. Engineer Eddie Kramer worked closely with Jimi to capture these experiments, preserving them on multi-track tape reels that remained untouched for decades. Production challenges involved restoring magnetic tapes that had degraded over time, requiring careful remastering to maintain the original sonic warmth without introducing digital artifacts. It did not achieve the massive commercial heights of studio albums like Electric Ladyland but solidified interest among collectors seeking unreleased material. Culturally, it reinforced Jimi's status as an innovator whose vault contained endless possibilities for future generations to explore. Fans appreciate the raw energy captured in these outtakes, hearing improvisational moments that never made it onto official LPs during his lifetime. The release strategy highlighted the importance of archival preservation in rock history.

Track listing

No.TitleLength
1Earth Blues3:33
2Somewhere4:05
3Hear My Train A Comin'5:41
4Bleeding Heart (Elmore James)3:58
5Let Me Move You6:50
6Izabella3:42
7Easy Blues5:57
8Crash Landing4:14
9Inside Out5:03
10Hey Gypsy Boy3:39
11Mojo Man (Albert Allen, Arthur Allen)4:07
12Villanova Junction Blues1:44
Total length52:33

Track listing from the source article.

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