People, Hell and Angels
Unearthed echoes from the Electric Lady Studios vaults.
People, Hell and Angels is a posthumous compilation album released by Jimi Hendrix in the mid-1990s. It serves as a curated collection of unreleased studio recordings primarily sourced from sessions at Electric Lady Studios during his final creative years.
Quick Facts
- Artist
- Jimi Hendrix
- Released
- 5 March 2013
- Recorded
- March 1968 – August 1970
- Studio
- Record Plant, Hit Factory, Sound Centre, Electric Lady
- New York City
- Fame, Muscle Shoals, Alabama
- Genre
- Blues rock
- Label
- Legacy
- Producer
- Jimi Hendrix
- Eddie Kramer
- Janie Hendrix
- John McDermott
Facts from the source article.
Lore & Background
This album represents a significant chapter in the ongoing preservation of Jimi Hendrix's musical legacy. Following his untimely death, many tapes remained in storage, waiting for technology to mature enough to restore their quality without losing the original analog warmth. The mid-1990s saw a renewed interest in archival releases, allowing fans to hear experiments that were never intended for commercial radio play at the time. The collection captures a specific moment of transition in his artistry, blending psychedelic experimentation with more structured songwriting. It highlights the collaborative spirit that defined his later work with musicians like Billy Cox and Mitch Mitchell. For collectors, this release offered a tangible connection to the creative process behind his final studio efforts.
Reader's Guide
The recording sessions for this collection primarily stem from the late 1960s and early 1970s at Electric Lady Studios in New York City. Engineer Eddie Kramer worked closely with Jimi to capture these experiments, preserving them on multi-track tape reels that remained untouched for decades. Production challenges involved restoring magnetic tapes that had degraded over time, requiring careful remastering to maintain the original sonic warmth without introducing digital artifacts. It did not achieve the massive commercial heights of studio albums like Electric Ladyland but solidified interest among collectors seeking unreleased material. Culturally, it reinforced Jimi's status as an innovator whose vault contained endless possibilities for future generations to explore. Fans appreciate the raw energy captured in these outtakes, hearing improvisational moments that never made it onto official LPs during his lifetime. The release strategy highlighted the importance of archival preservation in rock history.
Track listing
| No. | Title | Length |
|---|---|---|
| 1 | Earth Blues | 3:33 |
| 2 | Somewhere | 4:05 |
| 3 | Hear My Train A Comin' | 5:41 |
| 4 | Bleeding Heart (Elmore James) | 3:58 |
| 5 | Let Me Move You | 6:50 |
| 6 | Izabella | 3:42 |
| 7 | Easy Blues | 5:57 |
| 8 | Crash Landing | 4:14 |
| 9 | Inside Out | 5:03 |
| 10 | Hey Gypsy Boy | 3:39 |
| 11 | Mojo Man (Albert Allen, Arthur Allen) | 4:07 |
| 12 | Villanova Junction Blues | 1:44 |
| Total length | 52:33 | |
Track listing from the source article.
Did You Know?
- The title track was recorded during late studio sessions near the end of his career.
- This album was part of a wave of mid-90s archival releases managed by Janie Hendrix.
- Many tracks feature unreleased collaborations with close bandmates from the era.
- Mastering engineers worked directly from original analog tape reels to ensure fidelity.
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