Japanese Horror Films Codexery

Daguerrotype (film)

A French-Japanese romantic horror film by Kiyoshi Kurosawa.

Daguerrotype (film)

Daguerrotype (also known as The Woman in the Silver Plate) is a 2016 French-Japanese romantic horror film written and directed by Kiyoshi Kurosawa. It stars Tahar Rahim, Constance Rousseau, Olivier Gourmet, Mathieu Amalric, and Malik Zidi. The film premiered in the Platform section at the 2016 Toronto International Film Festival and was released in Japan and France in 2016 and 2017 respectively.

Quick Facts

Director
Kiyoshi Kurosawa
Starring
Tahar Rahim / Constance Rousseau / Olivier Gourmet / Mathieu Amalric / Malik Zidi
Music
Gregoire Hetzel
Cinematography
Alexis Kavyrchine
Editing
Veronique Lange
Released
11 September 2016 · TIFF · 2016 · 10 · 15 · Japan · 2017 · 03 · 08 · France
Runtime
131 minutes
Country
France / Japan / Belgium
Language
French

Facts from the source article.

Lore & Background

The film follows Stéphane, a renowned fashion photographer living in seclusion in a dilapidated house in the Paris suburbs with his daughter and muse Marie. Obsessed with his wife's unexpected death, Stéphane creates daguerreotypes of Marie daily, requiring her to remain immobile for long periods while wearing an old-fashioned blue dress. Jean, a young Parisian who becomes Stéphane's new assistant, falls in love with Marie and is disturbed by the lengthy photo sessions. Together, Jean and Marie attempt to free Stéphane from his obsession. Jean decides to convince Stéphane to sell his real estate, hoping the money will allow Jean and Marie to start a new life elsewhere and enable Stéphane to recreate his photography studio, but things do not go as planned.

Reader's Guide

Daguerrotype received mixed reviews, holding a 46% approval rating on Rotten Tomatoes based on 13 reviews, with an average rating of 5.88/10. Boyd van Hoeij of The Hollywood Reporter praised a double-take scene in an empty church for its understatement, while Sam Fragoso of TheWrap described the film as 'two or three movies haphazardly wrapped into one.' Andrew Barker of Variety called it 'heavy on moody atmospherics yet fundamentally inert,' and Keith Uhlich of Slant Magazine noted its resemblance to William Dieterle's 1948 romantic fantasy film Portrait of Jennie. The film screened at multiple international festivals including the Busan International Film Festival, Tokyo International Film Festival, Nippon Connection, and Japan Cuts.

Did You Know?

More in Japanese horror films 1-24

Spotted an error? Know more?

Reader corrections go straight into our review queue. Suggest an edit · How this site is sourced

Comments

Loading…
Open in the interactive codex →