Japanese Film Series Codexery

Men and War

Epic trilogy of war and a family conglomerate's rise.

Men and War

Men and War (Japanese: 戦争と人間, Hepburn: Sensō to ningen) is a trilogy of epic war films directed by Satsuo Yamamoto, adapted from Junpei Gomikawa’s novel of the same name. The story traces the Godai family conglomerate’s expansion and its entanglement in the Second Sino-Japanese War, covering events from the March 15 police raids (1928) through the 1939 Nomonhan incident. Yamamoto originally planned a five-part series that would have extended through the Pacific War and the Tokyo Trials, but after the second film, Nikkatsu cut the project to three installments for financial reasons.

**Part I** (subtitled *Prelude to Destiny*, 1970; also released internationally as *The Battle of Manchuria*) begins with Shimegi Kohei’s brother, a subordinate of an engineer at a Godai factory, being arrested during the March 15 police raids. Kohei is taken in by the engineer and introduced to the Godai family. In the family salon, Godai head Yusuke meets with his eldest son Eisuke and his brother Kyosuke, who has returned from Manchuria with ties to the Kwantung Army. The younger son Shunsuke befriends Kohei and introduces him to left-wing artist Haiyama. The elder Godai sister, Yukiko, falls in love with Lieutenant Tsuge. When Chiang Kai-shek’s National Army displaces warlord Zhang Zuolin, Godai operative Shigata Komijiro provokes a clash between Nationalists and Japanese troops at Jinan. The Emperor is expected to order an attack on Zhang’s army, but the order never comes; the Kwantung Army assassinates Zhang anyway. Another Godai employee, Takahata, is abducted by bandits from a remote outpost and trades supplies for his freedom. He is later taken hostage by Korean guerrillas led by Xu Zailin—whose family was killed by Japanese for their role in the Sam-il movement—but is freed without ransom on Communist Party orders. Takahata’s arrangement ends when a Japanese agent is spotted on one of his shipments; his post is destroyed and his wife Motoko abducted. He traces her to the Korean guerrillas and pays ransom, but is told she committed suicide after being raped. Despite protests from the Japanese consulate, the Kwantung Army invades Manchuria. Kohei’s brother, drafted, is killed in an attack at Changchun. Tsuge is sent to Taiwan to investigate the Musha incident, but after criticizing colonial policy, he is ordered to Manchuria.

**Part II** (*Land of Love and Sorrow*, 1971)

Quick Facts

Director
Satsuo Yamamoto
Screenplay
Nobuo Yamada / Atsushi Takeda (II & III)
Based On
Men and War · Junpei Gomikawa
Cinematography
Shinsaku Himeda
Music
Masaru Sato
Studio
Nikkatsu
Distributor
Dainichi Eihai (I) / Nikkatsu
Released
14 August 1970 · I · 1971 · 6 · 12 · II · 1973 · 8 · 11 · III
Runtime
197 minutes (I) / 179 minutes (II) / 187 minutes (III)
Country
Japan
Language
Japanese / Mandarin / Korean / Russian

Facts from the source article.

Lore & Background

The trilogy consists of three films: Prelude to Destiny (1970), Land of Love and Sorrow (1971), and The Final Chapter (1973). Part I was also released internationally under the title The Battle of Manchuria. The story follows the Godai family and their conglomerate's involvement in the Second Sino-Japanese War, covering events from the March 15 police raids (1928) to the Nomonhan incident in 1939. Yamamoto had conceived a five-part series that would continue through the Pacific War to the Tokyo Trials, but Nikkatsu reduced the series to a trilogy after the release of the second film for financial reasons.

Reader's Guide

Men and War is significant as a large-scale Japanese film trilogy that directly depicts Japanese imperialist aggression in China during the early 20th century. Director Satsuo Yamamoto was inspired to make the film after viewing Vietnamese documentaries at the 1964 Afro-Asian Film Festival and supervising a documentary on Vietnam, which led him to embrace the goal of depicting Japanese aggression in China. The production began before the re-establishment of China-Japan relations in 1972, so sequences set in Northeast China were shot in Hokkaido and at Nikkatsu studios. The third film's battle scene at Nomonhan was shot with the participation of Mosfilm on location in Volgograd, using soldiers and tanks from the Soviet Armed Forces. The trilogy's legacy lies in its ambitious scope and its attempt to portray complex historical events through the lens of a single family's rise and fall.

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