Project A
Three guys, one absurd mission, and a pool full of absolute chaos.
Project A (Chinese: A計劃; Jyutping: A Gai3 Waak6; fully titled as Jackie Chan's Project A) is a 1983 Hong Kong martial arts action comedy film starring and directed by Jackie Chan, who also wrote the screenplay with Edward Tang. The film co-stars Sammo Hung and Yuen Biao. Set around 1911 in old Hong Kong, Project A blends martial arts with comedy moments and spectacular stunts. One stunt in particular involved Chan hanging and falling from the hand of a clock tower some 60 ft (18 m) high, tearing through awning canopies before hitting the ground, a stunt he performed three times as he was unhappy with the first two. The film was a box office success in East Asia.
Quick Facts
- Director
- Jackie Chan
- Producer
- Raymond Chow
- Leonard Ho
- Edward Tang
- Writer
- Jackie Chan; Edward Tang
- Starring
- Jackie Chan
- Sammo Hung
- Yuen Biao
- Dick Wei
- Lee Hoi-san
- Mars
- Music
- Michael Lai
- Cinematography
- Cheung Yiu Tsou
- Editing
- Peter Cheung
- Distributor
- Golden Harvest; Media Asia Group
Lore & Background
In the late 19th century, Sergeant Dragon Ma is part of the Hong Kong Marine Police's effort to combat pirates, who have been raiding ships for months. Members of the Hong Kong Police Force and the Marine Police, who have strong inter-service rivalries, get into a fight in a bar. Shortly after this, Captain Chi releases all of the sailors to their commanding officer, and two of the Marine Police's ships get blown up. Gangsters Chiang and Mr. Chou meet at a VIP Club and discuss fleeing to Vietnam. As soon as Chiang leaves, he meets one of the pirates and they laugh about sabotaging the Marine Police ships. The pirate tells Chiang that his boss, San Pao wants 100 police rifles. Dragon Ma and his squad are forced to become regular police officers. They have to undergo 'hard training' with the police under Captain Chi's nephew, Hong Tin-tsu. After the police learn that Chiang is at the VIP Club, and that the guests there are not to be disturbed, Dragon and Tin-tsu go to arrest Chiang. A big fight breaks out. Tiring of the blatant corruption in the police force, Dragon arrests Chiang outright and tells Tin-tsu to take the credit. That is his last official act as an officer with the Hong Kong police.
Reader's Guide
Project A was released theatrically in Hong Kong on 22 December 1983. At the 4th Hong Kong Film Awards, Chan received two nominations for the film (and another for Wheels on Meals), including his first Best Actor nomination, and won his first Best Action Choreography award. A sequel, Project A Part II, was released in 1987. The film is also known in West Germany as both Piratpatrullen and Der Superfighter marketed next to Der Superfighter III (The Fearless Hyena) and Der Superfighter II (Fearless Hyena Part II). The Philippines also released the film under the title Superfly 2 and marketed it next to Superfly (Armour of God II). In the Philippines, the film was originally released as Mark of the Dragon, but First Films later rereleased it as Superfly 2 on 17 September 1992, connecting it to the unrelated film Armour of God II: Operation Condor (released as Superfly). Project A (along with Dragon Lord) marked Chan's return to Asian cinema after his first attempt to break into the Hollywood market with a small role in The Cannonball Run and a starring role in the commercially disappointing Battle Creek Brawl. In contrast, Project A was a huge success at the Hong Kong box office, earning HK$19,323,824 (US$2,659,852).
Did You Know?
- Project A was originally going to be titled Pirate Patrol, but it was feared that other Hong Kong film producers would rush to copy and release films featuring pirates.
- Chan halted filming of the bicycle chase sequence to watch the finale of E.T. the Extra-Terrestrial at a local cinema, to ensure his scene and Steven Spielberg's scene were not the same.
- Isabella Wong is the only female actress with a substantial role in this film.
From Stuntman to Action Icon
A decade later, he found himself working as a stunt performer alongside martial arts legend Bruce Lee during the filming of Fist of Fury and Enter the Dragon. This film, produced under a loan-out deal with Seasonal Film Corporation, paved the way for massive successes such as Drunken Master and The Young Master. It was during this era that Chan began experimenting with increasingly elaborate stunt sequences, particularly in Dragon Lord (1982). These early experiments laid the groundwork for his unique cinematic identity, blending physical peril with comedic timing long before he achieved global superstardom.
The Birth of a Signature Style
The release of Project A in 1983 marked a definitive turning point, officially establishing the Jackie Chan Stunt Team and cementing his signature aesthetic. This film perfected a formula combining dangerous, high-flying stunts with traditional martial arts and slapstick humor, creating a distinct genre that had never been seen before. Chan immediately expanded upon this foundation in modern settings like Wheels on Meals (1984) and the critically acclaimed Police Story (1985), which featured large-scale action sequences now regarded as some of the best ever filmed. This specific style defined his subsequent career, appearing consistently across sequels to Police Story, the Armour of God series, Project A Part II, Dragons Forever, Twin Dragons, City Hunter, and Drunken Master II. By integrating comedy into high-risk physical feats, Chan created a unique brand of entertainment that distinguished him from other martial arts stars of his generation.
Global Expansion and Box Office Dominance
This success launched a lucrative Hollywood career featuring franchises like Rush Hour and Shanghai Noon, alongside ventures into animation with Jackie Chan Adventures and dramatic roles such as his appearance in The Karate Kid. By the mid-1990s, he was the premier action star across Asia and Europe, commanding net incomes of $5 million per film. His box office dominance spans decades, with over $1.84 billion earned in North America and billions more in China and Japan.
A Legacy Spanning Nearly Two Centuries
His influence extends beyond mere entertainment; he redefined the possibilities of action cinema by prioritizing practical stunts over special effects. His films have topped box offices across Taiwan, Japan, South Korea, and Europe for decades, selling tens of millions of tickets globally. From a humble start as a child extra to becoming a cultural icon whose movies have grossed over $5 billion worldwide, Chan's career represents a unique evolution of action filmmaking that continues to inspire performers and filmmakers around the globe.
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