Hindu Mythology in Popular Culture Codexery

Hayavadana

A Kannada play about transposed heads and human incompleteness.

Girish Karnad's 1971 Kannada play Hayavadana, meaning "horse face," is a two-act work. Its story of friends Devdutta and Kapila and their love Padmini comes from the Br̥hatkathā and Thomas Mann's Transposed Heads. Its companion piece is Nagamandala from 1988.

Quick Facts

Language
Kannada
Year
1971
Author
Girish Karnad
Number of acts
2
Twin play
Nagamandala (1988)

Facts from the source article.

Plot

The play begins with worship to Lord Ganesha. Bhagwata, a character who also serves as the narrator, enters the stage and seeks blessings for a successful performance. Through his narration, he transports the audience to a place called Dharampur and introduces King Dharmsheel. Bhagwata then poses rhetorical questions about the incompleteness of man and God, and about human perfection. He introduces two friends: Devdutta, a sharp-minded, highly intellectual Brahmin son who has defeated poets and Pandits with his knowledge, and Kapila, a muscular son of a Lohar (blacksmith) with great physical strength. The two are contrasted: Devdutta lacks power and strength, while Kapila lacks knowledge and intellect. The playwright suggests that the head of Devdutta (knowledge) and the body of Kapila (physical strength) together form a complete man. Bhagwata compares their pair to the pairs of Ram-Laxman, Luv-Kush, and Krishna-Balram, all great brother pairs in Hindu mythology. A character called Actor-1 appears shouting and running toward Bhagwata, claiming to have seen a strange creature with a horse's face that speaks like a man. Bhagwata dismisses him, but Actor-1 returns, and the creature itself appears: it has the head of a horse and the body of a man. Bhagwata initially thinks it is a mask, but upon trying to remove it, realizes the creature is truly half man and half horse. The creature then introduces itself to Bhagwata, Actor-1, and the audience.

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