Hades Codexery

Charon

The ferryman who guides souls across the dark waters of the underworld.

Charon is the ferryman of the Greek underworld, transporting souls of those who have been given funeral rites across the river (often called Acheron or Styx) that borders the underworld. In ancient Greek art, Attic funerary vases of the 5th and 4th centuries BC show him as a rough, unkempt Athenian seaman dressed in reddish-brown, holding his ferryman's pole in his right hand and using his left hand to receive the deceased. On later vases, he is given a more kindly and refined demeanor. The Roman poet Virgil describes him in the Aeneid as a sordid god with a long, uncombed beard and eyes like hollow furnaces on fire. Charon also ferried the living mortals Heracles and Aeneas to the underworld and back again.

Quick Facts

Role
Ferryman of the Greek underworld
Weapon
Ferryman's pole

Lore & Background

Charon is first attested in the now fragmentary Greek epic poem Minyas, which includes a description of a descent to the underworld and possibly dates back to the 6th century BC. No ancient source provides a genealogy for Charon, except for one reference making him a son of Acmon, found in the entry 'Akmonides' in the lexicon of Hesychius, which is dubious and the text may be corrupt. In the 14th century, Dante Alighieri described Charon in his Divine Comedy, drawing from Virgil's depiction in Aeneid 6.

Charon is the first named mythological character Dante meets in the underworld, in Canto III of the Inferno. Dante depicts him as having eyes of fire. The French artist Gustave Dore depicted Charon in two of his illustrations for Dante's Divine Comedy. The Flemish painter Joachim Patinir depicted Charon in his Crossing the River Styx. The Spanish painter Jose Benlliure y Gil portrayed Charon in his La Barca de Caronte.

Reader's Guide

Archaeology confirms that, in some burials, low-value coins known generically as Charon's obols were placed in, on, or near the mouth of the deceased, or next to the cremation urn containing the ashes. Most accounts, including Pausanias (10.28) and later Dante's Inferno (3.78), associate Charon with the swamps of the river Acheron. Ancient Greek literary sources such as Pindar, Aeschylus, Euripides, Plato, and Callimachus also place Charon on the Acheron. Roman poets, including Propertius, Ovid, and Statius, name the river as the Styx, perhaps following the geography of Virgil's underworld in the Aeneid, where Charon is associated with both rivers. The Etruscan death-demon Charun has a different origin and functions, being an assistant to Death as well as psychopomp and guardian, delivering the newly dead to the underworld by horseback or chariot.

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