Ice Age: Continental Drift (soundtrack)
John Powell's score for the fourth Ice Age film.
John Powell composed the score for the 2012 film Ice Age: Continental Drift, the fourth movie in the Ice Age series. The soundtrack, titled Ice Age: Continental Drift (Original Motion Picture Soundtrack), was published by Varèse Sarabande and Fox Music on July 10, 2012.
Quick Facts
- Artist
- John Powell
- Released
- July 10, 2012
- Recorded
- 2012
- Studio
- Newman Scoring Stage
- 20th Century Fox Studios
- Los Angeles
- 5 Cat Studios
- Los Angeles
- Genre
- Film score
- Length
- 57:57
- Label
- Varèse Sarabande, Fox Music
Facts from the source article.
Track listing
| No. | Title | Length |
|---|---|---|
| 1 | Morning Peaches | 2:22 |
| 2 | Schism | 2:28 |
| 3 | Storm | 3:50 |
| 4 | No Exit Gutt | 5:37 |
| 5 | Escape from Captivity | 3:02 |
| 6 | New Loves | 4:50 |
| 7 | Hydraxes / Prison Talk | 2:57 |
| 8 | Diversion | 3:57 |
| 9 | Pirating the Pirates | 4:37 |
| 10 | Teen Cave | 4:42 |
| 11 | Sirens | 2:35 |
| 12 | Battle of Boston | 7:51 |
| 13 | Herd Reunion | 3:08 |
| 14 | Scrat's Fantasia on a Theme (LVB) | 5:30 |
| Total length | 57:57 | |
Track listing from the source article.
Did You Know?
- Filmtracks wrote that the score straddles the line where the composer's sense of humor ceases to appeal to anyone outside his dedicated fanbase.
- Peter Debruge of Variety called the score 'exciting'.
- Megan Lehmann of The Hollywood Reporter described the score as 'enjoyable'.
Background
John Powell, who had composed the second and third installments, returned for Continental Drift. The film also uses Beethoven's 9th Symphony; Powell stated that the concept of creating the geographical world seemed so immense that he abandoned his own efforts and employed Beethoven's work instead, using what he described as crass re-orchestration and cheap arranging tricks to fit the action. He claimed this led to a fatwa being issued against him by the Beethoven Society. For the score, Powell used 20 bass accordions, choosing them to subvert pirate clichés. He replaced trombones with a large group of accordions to create a frightening sound. According to Powell, so many accordionists were gathered that Italian restaurants within fifty miles had to close, and the players were surprised to encounter other accordionists, having not played with any since childhood.
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