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The Circle (2017 film)

A techno-thriller about surveillance and social media transparency.

The Circle (2017 film)

The Circle is a 2017 American techno-thriller directed by James Ponsoldt, who co-wrote the screenplay with Dave Eggers based on Eggers's 2013 novel. The cast includes Emma Watson, Tom Hanks, John Boyega, Karen Gillan, Ellar Coltrane, Patton Oswalt, Glenne Headly, and Bill Paxton. The film debuted at the Tribeca Film Festival on April 26, 2017, and hit theaters two days later through STXfilms and EuropaCorp. Critics largely panned it. It earned $20.5 million in the U.S. and Canada and $20.1 million elsewhere, totaling $40.6 million worldwide on an $18 million production budget. This made it Ponsoldt's most commercially successful film. The release was posthumous for Paxton, who died in February 2017, and it was the last film Headly saw released before her death in June 2017.

The story follows Mae Holland, a call center intern who gets a customer support job at The Circle, a tech and social media company, through her friend Annie. Mae takes the position to help her parents, especially her father, who has multiple sclerosis, while her longtime friend Mercer disapproves. CEO Eamon Bailey unveils SeeChange, a system of tiny cameras that stream real-time video from anywhere. Mae rises within the company by embracing social networking and meets Ty Lafitte, a skeptical employee. At a rally pushing political accountability, COO Tom Stenton introduces Congresswoman Olivia Santos, who agrees to livestream her daily life via SeeChange. Ty shows Mae the cloud server storing all SeeChange data and reveals he created The Circle's social network, TrueYou, which he feels has spiraled beyond his original intent.

Mae's mother shares a photo of a chandelier Mercer made from deer antlers. Mae posts it online, sparking backlash against Mercer, who confronts her and asks to be left alone. Distressed, Mae goes night kayaking, capsizes, and is rescued by the Coast Guard after SeeChange cameras detect her. At a meeting, Eamon praises her rescue, inspiring Mae to become the first "Circler" to go "completely transparent"—wearing a camera that broadcasts her life 24/7. This strains her relationships with her parents and Annie, as Mae accidentally exposes private details about them. At a board meeting, Eamon announces support for voting through Circle accounts, and Mae suggests requiring a Circle account to vote, upsetting Annie.

Quick Facts

Director
James Ponsoldt
Screenplay
James Ponsoldt / Dave Eggers
Based On
The Circle · Dave Eggers
Producer
Anthony Bregman / Gary Goetzman / James Ponsoldt
Starring
Emma Watson / Tom Hanks / John Boyega / Karen Gillan / Ellar Coltrane / Patton Oswalt / Glenne Headly / Bill Paxton / Ellen Wong
Music
Danny Elfman
Cinematography
Matthew Libatique
Editing
Lisa Lassek
Studio
Image Nation Abu Dhabi / Playtone / Likely Story / IM Global / Parkes + Macdonald Productions / Route One Entertainment / 1978 Films
Distributor
STXfilms / EuropaCorp
Released
26 April 2017 · Tribeca · 2017 · 4 · 28 · United States
Runtime
110 minutes

Facts from the source article.

Lore & Background

The film follows Mae Holland, a call center intern who secures a customer support position at The Circle, a tech and social media company. Mae rises within the company, embracing social networking and eventually becoming the first 'Circler' to go 'completely transparent,' wearing a small camera that exposes her life 24 hours a day. This damages her relationships with her parents and friend Annie. Mae later uses the company's tracking program to locate a wanted felon, then is persuaded to locate her friend Mercer, which leads to his death in a car accident caused by pursuing Circle users and a drone. Mae returns to The Circle and, with help from Ty Lafitte (the creator of TrueYou), exposes the email accounts of CEO Eamon Bailey and COO Tom Stenton, advocating for total transparency.

Reader's Guide

The Circle is significant as a cautionary tale about the dangers of unchecked corporate surveillance and the erosion of privacy in the digital age. Despite its star-studded cast and timely themes, the film was critically panned for its repetitiveness, lack of originality, and tonal inconsistencies. Critics noted that the novel's satirical edge was lost in translation, leaving a film that felt stuck between a psychological thriller and a sincere workplace drama. The film's release was posthumous for Bill Paxton, who died in February 2017, and it was the final film of Glenne Headly released before her death in June 2017. Its box office performance was modest, grossing $40.6 million worldwide, and it became director Ponsoldt's highest-grossing feature.

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