Films Based on Science Fiction Novels Codexery

Conquest of Space

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Conquest of Space

Conquest of Space is a 1955 American Technicolor science fiction film from Paramount Pictures, produced by George Pal and directed by Byron Haskin. The film depicts the first flight to Mars, launched from Earth orbit near a space station called 'The Wheel,' and follows a crew of five as they encounter dangers that nearly destroy the mission.

Quick Facts

Director
Byron Haskin
Producer
George Pal
Screenplay
James O'Hanlon / adaptation / Philip Yordan / Barré Lyndon / George Worthing Yates
Based On
book The Conquest of Space by Chesley Bonestell and Willy Ley
Starring
Walter Brooke / Eric Fleming / Mickey Shaughnessy
Music
Van Cleave
Cinematography
Lionel Lindon
Editing
Everett Douglas
Studio
Paramount Pictures Corp.
Distributor
Paramount Pictures
Released
20 April 1955
Country
United States

Facts from the source article.

Lore & Background

The film's story concerns the first flight to Mars, carrying a crew of five, launched from Earth orbit near 'The Wheel,' humankind's first space station. The crew includes Colonel Samuel T. Merritt, his son Captain Barney Merritt, Sgt. Mahoney, Sgt. Fodor, and Dr. George Fenton. During the journey, Colonel Merritt's undiagnosed space fatigue affects his judgment, leading to a collision with debris that kills Sgt. Fodor. Later, Colonel Merritt attempts to crash the spaceship, believing the mission violates God's laws, and is killed in a struggle with his son.

Reader's Guide

Conquest of Space was intended to portray space travel as realistically as possible, with technical advice from Wernher von Braun, who was on set throughout production. The film's title comes from the 1949 nonfiction book by Willy Ley and Chesley Bonestell, and its production design was modeled on von Braun's concepts and Bonestell's space paintings. Critical reception varied: upon release, The New York Times praised the special effects but was disparaging of the storyline. Later critics, such as Roy Kinnard, noted that the film stands above many 1950s science-fiction films in its visual effects, though blue screen mattes were crude by later standards. The film's budget was $1.5 million, and it did not use major stars.

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