Films Based on Horror Novels Codexery

Dr. Jekyll and Mr. Hyde (1941 film)

Remake of the 1931 Oscar-winning film, set in Victorian-era London.

Dr. Jekyll and Mr. Hyde (1941 film)

Dr. Jekyll and Mr. Hyde is a 1941 American horror film directed by Victor Fleming and produced by Metro-Goldwyn-Mayer. It stars Spencer Tracy, Ingrid Bergman, and Lana Turner, and is a direct remake of the Oscar-winning 1931 film of the same title. The film was a commercial success and was nominated for three Academy Awards.

Quick Facts

Director
Victor Fleming
Producer
Victor Saville
Writer
John Lee Mahin / Percy Heath / Samuel Hoffenstein
Based On
Strange Case of Dr. Jekyll and Mr. Hyde / 1886 novella · Robert Louis Stevenson
Starring
Spencer Tracy / Ingrid Bergman / Lana Turner / Donald Crisp
Music
Franz Waxman
Cinematography
Joseph Ruttenberg
Editing
Harold F. Kress
Studio
Metro-Goldwyn-Mayer
Distributor
Loew's, Inc.
Released
12 August 1941
Runtime
113 minutes

Facts from the source article.

Lore & Background

The film is set in Victorian-era London, where Dr. Henry Jekyll experiments with a serum to separate good and evil in human nature. After transforming into Mr. Hyde, he terrorizes a barmaid named Ivy Peterson, raping her and later murdering her. Jekyll's fiancée Beatrix Emery returns from abroad, and Jekyll struggles to control his transformations, which eventually occur without the serum. The story culminates in Hyde killing Beatrix's father, Sir Charles, and being shot by Dr. Lanyon, reverting to Jekyll as he dies.

Reader's Guide

The 1941 Dr. Jekyll and Mr. Hyde is significant as a major studio remake of a classic horror film, produced by MGM with a high-profile cast and crew. Scholar Angela Smith notes that the film emphasizes psychological and neurological elements over physical transformation, linking repressed sexual desires to individual malaise. The film's production involved a role swap between Ingrid Bergman and Lana Turner, and its final scene differs from the 1931 version, with Poole praying as Jekyll dies. The film was a commercial success and earned three Academy Award nominations, though it was criticized by The New York Times for its writing.

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