Dolly Parton Codexery

In the Good Old Days (When Times Were Bad)

Dolly Parton's third solo album, featuring her first self-penned half.

Dolly Parton's third solo studio album, In the Good Old Days (When Times Were Bad), came out on February 3, 1969, through RCA Victor. Produced by Bob Ferguson, it reached number 15 on Billboard's Top Country Albums chart. The only single from the album was its title track, which peaked at number 25 on the Hot Country Songs chart.

Quick Facts

Artist
Dolly Parton
Released
February 3, 1969
Recorded
September 9–October 9, 1968
Studio
RCA Studio B (Nashville)
Genre
Country
Length
29:00
Label
RCA Victor
Producer
Bob Ferguson

Facts from the source article.

Track listing

Side one

No.TitleWriter(s)Length
1Don't Let It Trouble Your Mind2:12
2He's a Go-Getter2:03
3In the Good Old Days (When Times Were Bad)2:45
4It's My TimeJohn D. Loudermilk2:37
5Harper Valley PTATom T. Hall3:10
6Little Bird1:44

Side two

No.TitleWriter(s)Length
1Mine2:03
2The Carroll County AccidentBob Ferguson2:56
3Fresh Out of ForgivenessBill Owens, Gene Gill2:01
4Mama, Say a Prayer2:45
5Always the First TimeJoyce McCord2:01
6D-I-V-O-R-C-EBobby Braddock, Curly Putman2:43

Track listing from the source article.

Did You Know?

Content

This album marked the first time Parton wrote half of the songs. The title track reflects on her impoverished upbringing, concluding she values its lessons but would not return. The humorous "He's a Go Getter" plays on a pun about a husband fetching his wife. Parton covers Jeannie C. Riley's "Harper Valley PTA", Tammy Wynette's "D-I-V-O-R-C-E", and Porter Wagoner's "The Carroll County Accident". She re-recorded the title song for her 1973 album My Tennessee Mountain Home, and re-recorded "The Carroll County Accident" with Buck Trent for his 2018 album Spartanburg Blues.

More in Band Members & Collaborators

Elsewhere in Dolly Parton

Spotted an error? Know more?

Reader corrections go straight into our review queue. Suggest an edit · How this site is sourced

Comments

Loading…
Open in the interactive codex →