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Aladdin Sane

Bowie's first album written and released from a position of stardom.

Aladdin Sane, David Bowie’s sixth studio album, came out in April 1973 on RCA Records. It marked his first record written and released after he had become a global star, arriving on the heels of his breakthrough The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie co-produced the album with Ken Scott, and it included work from his backing band the Spiders from Mars, pianist Mike Garson, two saxophonists, and three backing vocalists. The album was cut in London and New York City during breaks in the Ziggy Stardust Tour, and it turned out to be Bowie’s last with the full Spiders lineup.

Most of the songs were written while Bowie was on the road in the United States, heavily shaped by what he saw there. The American influence and the rushed writing process pushed the record toward harder rock sounds than his earlier glam rock. The lyrics touch on the upsides of his new fame and the downsides of touring, with images of urban decay, drugs, sex, violence, and death. Some tracks take cues from the Rolling Stones, and the album includes a cover of their song “Let’s Spend the Night Together.” Bowie described the title as a pun on “A Lad Insane” and as “Ziggy Stardust goes to America.” The cover photo, shot by Brian Duffy and featuring a lightning bolt painted across Bowie’s face, is considered one of his most iconic images.

Backed by the UK top-five singles “The Jean Genie” and “Drive-In Saturday,” Aladdin Sane became Bowie’s most commercially successful album up to that point, hitting number one on the UK Albums Chart and earning him huge popularity there. Critics gave it positive reviews, though many thought it wasn’t as strong as its predecessor. The album’s popularity carried through the second half of the Ziggy Stardust Tour, which saw changes to the setlist and stage production. In later years, Aladdin Sane has appeared on several best-of lists and is seen as one of Bowie’s essential releases. It has been reissued multiple times and was remastered in 2013 for its 40th anniversary, later included in the 2015 box set Five Years (1969–1973).

Bowie shot to fame in early July 1972 with the release of The Rise and Fall of Ziggy Stardust and the Spiders from Mars and his performance of “Starman” on BBC’s Top of the Pops.

Quick Facts

Artist
David Bowie
Recorded
6 October, December 1972 – January 1973
Studio
Trident (London); RCA (New York City)
Genre
Glam rock; hard rock
Label
RCA Victor
Producer
Ken Scott; David Bowie

Facts from the source article.

Lore & Background

Most of the tracks on Aladdin Sane were written on the road in the United States and are greatly influenced by Bowie's perceptions of the country. The album features more hard rock influences than his earlier glam rock, reflecting the fast-paced songwriting and American influence. The lyrics reflect the pros of Bowie's newfound stardom and the cons of touring, containing images of urban decay, drugs, sex, violence, and death. Some songs are influenced by the Rolling Stones, including a cover of their song "Let's Spend the Night Together." Bowie described the album's title as a pun ("A Lad Insane") and as "Ziggy Stardust goes to America."

Reader's Guide

Aladdin Sane was Bowie's most commercially successful record up to that point, topping the UK Albums Chart and garnering him immense popularity there. It received positive reviews from music critics, although many found it inferior to its predecessor. The album was accompanied by the UK top-five singles "The Jean Genie" and "Drive-In Saturday." The cover artwork, shot by Brian Duffy and featuring a lightning bolt across Bowie's face, is regarded as one of his most iconic images. In later decades, Aladdin Sane has appeared on several best-of lists and is viewed as one of Bowie's essential releases. It has been reissued several times and was remastered in 2013 for its 40th anniversary, which was included on the 2015 box set Five Years (1969–1973). The album marked the beginning of Bowie's experimental phase, largely due to the jazz and blues background of pianist Mike Garson, whose avant-garde piano solo on the title track became a defining element.

Track listing

No.TitleLength
1Watch That Man4:30
2Aladdin Sane (1913-1938-197?)5:15
3Drive-In Saturday4:38
4Panic in Detroit4:30
5Cracked Actor3:01

Track listing from the source article.

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