CMC International Albums Codexery

The Chemical Wedding (Bruce Dickinson album)

Bruce Dickinson's fifth solo album, inspired by William Blake and alchemy.

The Chemical Wedding, Bruce Dickinson's fifth solo album, came out on 15 September 1998 via his Air Raid Records label. Its title track and name come from the Rosicrucian text the Chymical Wedding of Christian Rosenkreutz, while William Blake's poetry and painting The Ghost of a Flea also influence the record. Iron Maiden guitarist Adrian Smith played on it, as he had on Dickinson's prior album. This was Dickinson's final solo release before he and Smith returned to Iron Maiden in 1999.

Quick Facts

Artist
Bruce Dickinson
Released
15 September 1998
Recorded
January–June 1998
Studio
Sound City and Silver Cloud, Los Angeles
Genre
Heavy metal
Length
57:32
Label
  • Air Raid (UK)
  • CMC International (US)
  • Victor (Japan)
Producer
Roy Z

Facts from the source article.

Did You Know?

Lyrical themes

Dickinson described each song as operating within a specific frame, with themes such as fear, tragedy, and union assigned to individual tracks. For example, the song "The Trumpets of Jericho" addresses failure: in the biblical story the walls of Jericho fall when the tribes of Israel blow their trumpets, but in this song the walls remain standing despite everything being done correctly. Dickinson linked this to the alchemical pursuit of an almost impossible goal, noting that virtually all alchemists failed in their lifelong efforts. He suggested the album explores what that failure feels like and why one continues striving. Dickinson remarked that listeners could engage with the lyrics on a surface level, letting the heavy music impact them directly, or dig deeper into the words for additional meaning.

Reception

Critical response to The Chemical Wedding was generally favourable. AllMusic praised its "modern metal aesthetic", while Sputnikmusic called it "one of the best metal albums of the late 90s" and noted it was professionally written and recorded. In 2005, Rock Hard magazine ranked it number 388 in its book The 500 Greatest Rock & Metal Albums of All Time. Canadian journalist Martin Popoff commended Dickinson for finding creative wells that seemed limitless and for recording an album of traditional, somber heavy metal reminiscent of Piece of Mind-era Iron Maiden crossed with Subhuman Race-era Skid Row.

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