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Awesomeness (company)

Digital media studio targeting Generation Z audiences.

Awesomeness, LLC, a digital media and entertainment network owned by Paramount Skydance Corporation, was founded in July 2012 by Brian Robbins and Joe Davola. The studio made films and TV series for streaming services aimed at Generation Z. It started as a YouTube channel and multi-channel network called AwesomenessTV, creating web series for teens and young adults, and later branched into talent management, branded content, music, publishing, and retail.

In 2013, DreamWorks Animation bought AwesomenessTV. The next year, Hearst Corporation took a 25% minority stake. Verizon Communications acquired another roughly quarter of the company in 2016 for $159 million, valuing it at $650 million, and struck a multi-year deal for AwesomenessTV to produce content for Verizon’s streaming service go90. After NBCUniversal bought DreamWorks Animation (creating internal conflicts because Verizon was a Comcast competitor) and go90 shut down, Viacom purchased AwesomenessTV in 2018 for about $50 million—far less than its 2016 valuation. The studio then focused on long-form series and films, most recently for Paramount+ and Nickelodeon. In October 2025, Awesomeness and its production slate were folded into Paramount Television Studios, the TV production arm of Paramount Skydance.

Robbins and Davola launched AwesomenessTV in July 2012 through YouTube’s Original Channel Initiative, producing web series for tweens and teens. Robbins, who had worked on shows like One Tree Hill, Smallville, and Nickelodeon’s All That, noticed his own sons shifting from TV to short-form online video. In 2009, he had produced an independent film for Nickelodeon starring YouTube comedian Lucas Cruikshank’s character Fred, which became the year’s highest-rated basic-cable film among youth and spawned a franchise. The channel debuted with 15 series in development, including the talk show IMO, stunt series The Blow-Up Guys, teen drama The Runaways, and Awesomeness Sports featuring professional and youth athletes. Davola likened the channel to MTV, calling it maverick and new for young audiences. Brett Bouttier became COO in November 2012, and that December AwesomenessTV launched its own multi-channel network.

DreamWorks Animation announced its plan to buy AwesomenessTV for $33 million on May 1, 2013, and the company later developed a YouTube channel for DreamWorks franchises.

Quick Facts

Trade name
AwesomenessTV
Founders
Brian Robbins, Joe Davola
Fate
Merged into Paramount Television Studios
Successor
Paramount Television Studios
Headquarters
1575 N Gower Street, Los Angeles, California
Country
United States
Parent
  • DreamWorks Animation (2014–2018)
  • Paramount Media Networks (2018–2021)
  • Nickelodeon Group (2021–2025)
Divisions
  • Awesomeness Ink
  • Awesomeness Films
  • Awesomeness News

Facts from the source article.

Lore & Background

AwesomenessTV launched in July 2012 as part of the YouTube Original Channel Initiative, with an initial slate of 15 series including the talk show IMO and the stunt show The Blow-Up Guys. Co-founder Brian Robbins had previously worked on Nickelodeon series such as All That and produced the Fred film franchise. In May 2013, DreamWorks Animation acquired the company for $33 million, and in 2014 Hearst Corporation acquired a 25% minority stake. The company expanded through acquisitions, including the multi-channel network Big Frame in April 2014, and launched ventures such as Awesomeness Music with Universal Music Group and the publishing label AwesomenessInk.

Reader's Guide

Awesomeness's significance lies in its early pivot to digital-first content for Generation Z, capturing the shift from traditional television to short-form internet video. Its trajectory—from a YouTube channel to a $650 million valuation, then a fire-sale acquisition for $50 million—illustrates the volatility of the digital media landscape. The studio produced notable Generation Z-targeted works such as the Netflix film To All the Boys I've Loved Before and the Hulu series PEN15, which earned an Emmy nomination. Its legacy includes demonstrating how media companies could build audiences on YouTube and later transition to streaming services, as well as the risks of over-reliance on a single distribution partner like Verizon's go90. The eventual merger into Paramount Television Studios marked the end of its independent identity.

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