Ardagh Hoard
Hoard of 8th-9th century metalwork including the renowned Ardagh Chalice.
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The Ardagh Hoard is a collection of metalwork from the 8th and 9th centuries, discovered in late September 1868 by two local boys, Jim Quin and Paddy Flanagan, in a potato field on the south-western side of a rath called Reerasta, beside the village of Ardagh, County Limerick, Ireland. Best known for the Ardagh Chalice, the hoard also includes a plainer stemmed cup in copper-alloy and four brooches: three elaborate pseudo-penannular ones and one true pennanular brooch of the thistle type, which is the latest object and suggests the hoard may have been deposited around 900 AD. The chalice ranks with the Book of Kells as one of the finest known works of metal Insular art and is thought to have been made in the 8th century AD. It is now on display in the National Museum of Ireland in Dublin.
Find
The hoard was uncovered in late September 1868 by two boys, Jim Quin and Paddy Flanagan, while digging in a potato field on the south-western side of a rath called Reerasta near Ardagh, County Limerick. The chalice contained the other items and was covered only by a slab of stone, suggesting the pieces were buried in haste, likely temporarily. Quin later emigrated to Australia and died in Melbourne in 1934; Flanagan remained in Ireland and is buried in the Pauper's Graveyard in Newcastle West. Quin's mother sold the hoard to George Butler, Catholic Bishop of Limerick.
Chalice
The chalice is a large, two-handled beaten silver cup decorated with gold, gilt bronze, brass, lead pewter, and enamel, assembled from 354 separate pieces. Its main body consists of two hemispheres of sheet silver joined by a rivet hidden under a gilt-bronze band. The names of the apostles are incised in a frieze around the bowl, below a girdle with gold wirework panels of animals, birds, and geometric interlace. Techniques employed include hammering, engraving, lost-wax casting, filigree applique, cloisonné, and enamel; even the underside is decorated.
Art historian Lawrence Stone noted the classical restraint in the ornamentation, which contrasts with the lavish spread of the Tara Brooch and later works. The decoration features spiral and interlace patterns with soldered layers of gold thread, and cloisonné enamel bosses of blue and red showing continuity with Anglo-Saxon jewelers' craft. The standard monograph is L.S. Gógan, The Ardagh Chalice.
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Sources
Compiled from Wikipedia and the sources listed below. Text from Wikipedia is available under CC BY-SA 4.0; this entry is adapted from it.
- Wikipedia: Ardagh Hoard (CC BY-SA 4.0).
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