Bell Records Artists Codexery

The Hamilton Face Band

Late-1960s rock band with a notable transformation.

The Hamilton Face Band was a five-piece rock group formed in the late 1960s. They recorded for the Philips and Bell labels and achieved success with their second album. The band's drummer, Ruth Underwood, was credited under the name Romonoff on their first album sleeve.

Quick Facts

Origin
United States
Genre
Rock music
Years active
late 1960s - early 1970s
Label
Philips, Bell
Past members
  • Alan Cooper
  • Ruth Komanoff
  • aka Ruth Romonoff, Ruth Underwood
  • Lenny Laks
  • Steve Margoshes
  • Ronnie Seldin

Facts from the source article.

Career

In early April 1969, the Hamilton Face Band performed at the Scene. A reviewer who had seen them some months earlier at the Cafe Au Go Go had not reviewed that earlier performance, finding the singer substandard, the female drummer stiff, and the songs unimpressive. At the Scene, Mercury staffers Rick Bolsom and Anne Tansey urged the reviewer to watch the set. The reviewer noted a dramatic improvement, describing the group as a mature small jazz rock band.

Drummer Ruth Romonoff (Komanoff) now played like a rock drummer rather than a percussionist. Lenny Laks and Alan Cooper had gained control over their voices, and the two also alternated on bass guitar and trumpet. Keyboardist Steve Margoshes was called one of the most promising talents seen in some time, and Ronnie Seldin's lead guitar work was singled out. The band performed songs from their debut single, "High Why and Die Company," as well as "Speed Song" and "Choirboys / Allright."

Their self-titled debut album, produced by Anne Tansey, was released in April. Billboard's 19 April issue designated it a Special Merit Pick, calling it auspicious and noting its tight musicianship would appeal to underground markets; standout tracks included the instrumental "Speed Song," "High Why and Die Company," "Trying to Get Up to You," and "Slippery Sweet." The single "High Why and Die Company" b/w "Banana Song" was reviewed in the 19 April issue of Record World, receiving a four-star pick; the reviewer wrote that the band was getting it all together and playing it like it sells.

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