Bad Boy Records Singles Codexery

Django Jane

Janelle Monáe raps a black feminist anthem.

"Django Jane" is a song recorded by singer and songwriter Janelle Monáe, released on February 22, 2018 as the second single, alongside "Make Me Feel", from her third studio album, Dirty Computer. The song features Monáe rapping instead of singing and makes a direct reference to Monáe's debut studio album, The ArchAndroid. Lyrically, it has many black feminist themes. A music video was released on the same day as the single.

Quick Facts

Artist
Janelle Monáe
Album
Dirty Computer
Released
22 February 2018
Recorded
2015–2018
Genre
Hip hop
Label
  • Wondaland
  • Bad Boy
  • Atlantic
Writer
  • Janelle Monáe Robinson
  • Nathaniel Irvin III
  • Nana Kwabena Tuffuor
Producer
Nate "Rocket" Wonder, Nana Kwabena

Facts from the source article.

Background

Monáe revealed her third studio album, Dirty Computer, through a teaser video on YouTube on February 16, 2018. She then released "Django Jane" and "Make Me Feel" as the album's first two singles. In an interview with The Guardian, Monáe described the song as a response to threats against her rights as a woman, a black woman, and a sexually liberated woman, and as support for black women and other marginalized groups.

Music video

The official music video for "Django Jane" was uploaded to YouTube on February 22, 2018, the same day as the single's release. Directed by Andrew Donoho and Chuck Lightning, the "emotion picture" shows Monáe surrounded by many women and wearing both a red and a green suit. In one scene, she visually references a moment from Sebastián Lelio's Chilean film A Fantastic Woman; Lelio later stated he did not know if Monáe had seen his film but found it exciting to see the moment reflected in her video.

Billboard's Natalie Maher noted that Monáe sits atop a throne surrounded by a female army in matching suits, rapping about gender and race, with the video including mentions of "pussy power" and raised-fist symbolism. XXL's C. Vernon Coleman II described the visual as showing Monáe as a crown-holder on her throne, surrounded by women who look like they mean business, later breaking into a choreographed dance routine.

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