Asian And Middle Eastern Artists Codexery

Ogata Kenzan

Edo period potter, painter, and calligrapher of Kyō ware.

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During the Edo period, Ogata Kenzan worked as a potter, painter, and calligrapher, and his output is linked to Kyō ware and Kiyomizu ware.[1] Shisui, Shōkosai, Shuseidō, Tōin, and Shinshō are alternative names that Ogata Kenzan used.[1]

Life and work

The Suntory account notes that Kenzan retreated to live near Ninnaji temple in 1689, beginning a life as a cultured recluse.[2] The Suntory account adds that in 1699 he built his own kiln in the Narutaki Izumitani area northwest of Kyoto.[2] Oeyo, who was married to Tokugawa Hidetada, and Tokugawa Masako were among the patrons of the Kariganeya, the family's shop.[3] South of Ninna-ji, Ogata set up Shuseidō hall in 1689.[4]

Nonomura Ninsei, whose Omuru kiln sat at Ninna-ji's front gate, was the potter from whom Ogata learned.[4] A mountain villa in Ukyō-ku, Kyoto was given to Ogata in 1699 by Kugyō Nijō Tsunahira, and there Kenzan started his own kiln.[4] Kenzan was 81 years old when he died.[4]

What the cited sources add

The Koto Potter account states that the name “Kenzan” stems from the geographic feature “Kenzan” (Dry Mountain) located to the northwest of Kyoto’s center.[5] The Suntory account notes that Kenzan ceramics were created by directly linking the aesthetics of Kyoto's affluent merchant class with the Kyoyaki tradition.[2] The Koto Potter account describes Kenzan's work as reflecting the bold compositions and decorative flair of the Rimpa school founded by his brother, Korin Ogata.[5] The Suntory account mentions that Kenzan's replicas were a major part of the Kenzan kiln's production and a major source of its income.[2]

The Koto Potter account states that Kenzan's workshop produced a wide range of ceramics, from tea bowls and water jars to everyday tableware and jars.[5] The Koto Potter account adds that Kenzan organized his workshop with a modern producer-designer model: skilled artisans handled forming and firing, while he focused on design and painting.[5]

References

  1. Wikipedia, "Ogata Kenzan" (CC BY-SA 4.0), which cites: Kenzan, "Teabowl with Moonflower (Yūgao) and Poem"; "Ogata Kenzan Biography, Art, & Facts Britannica", www.britannica.com (original not read by us) en.wikipedia.org
  2. "The Maestro of Conception, Kenzan is here Works from the exhibition", Suntory. facts only, no text reused. web.archive.org
  3. Wikipedia, "Ogata Kenzan" (CC BY-SA 4.0), which cites: "Ogata Kenzan", collections.lacma.org; "About Ogata Kenzan, the master craftsman of Kyoto ware and Kiyomizu ware Kyoto ware and Kiyomizu ware mail order Koto Potter", Koto0potter, 2024-11-25; "The Maestro of Conception, Kenzan is here Works from the exhibition", Suntory (we also read that source) en.wikipedia.org
  4. Wikipedia, "Ogata Kenzan" (CC BY-SA 4.0), which cites: "Ogata Kenzan", collections.lacma.org; "The Maestro of Conception, Kenzan is here Works from the exhibition", Suntory; "Ogata Kenzan Biography, Art, & Facts Britannica", www.britannica.com; "Ogata Kenzan", collections.lacma.org; "Ogata Kenzan", collections.lacma.org (we also read that source) en.wikipedia.org
  5. "About Ogata Kenzan, the master craftsman of Kyoto ware and Kiyomizu ware Kyoto ware and Kiyomizu ware mail order Koto Potter", Koto0potter, 2024-11-25. facts only, no text reused. kotopotter.jp

Each numbered sentence above was checked against the source it cites before publication. Sentences citing Wikipedia adapt text from the English Wikipedia article Ogata Kenzan (contributors), used under CC BY-SA 4.0; this entry is available under the same licence. Other sources were used for facts only; no text or images are copied from them.

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Compiled from Wikipedia and the sources listed below. Text from Wikipedia is available under CC BY-SA 4.0; this entry is adapted from it.

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