Arista Records Albums Codexery

A Woman's Got the Power

Second and final album by the American band the A's.

The A's released their second and final album, A Woman's Got the Power, in 1981. Its title track served as the first single. The record peaked at number 146 on the Billboard 200, and the band toured North America to promote it.

Quick Facts

Artist
the A's
Released
1981
Genre
  • Rock
  • new wave
  • power pop
Label
Arista
Producer
Rick Chertoff, Nick Garvey

Facts from the source article.

Track listing

No.TitleLength
1A Woman's Got the Power
2Electricity
3Heart of America
4How Do You Live
5When the Rebel Comes Home
6Johnny Silent
7Little Mistakes
8Working Man
9I Pretend She's You
10Insomnia

Track listing from the source article.

Production

Rick Chertoff and Nick Garvey produced the album, overseeing the final three tracks recorded for it. Bandmembers Richard Bush and Rocco Notte wrote the songs, drawing influence from Holland–Dozier–Holland. Arista president Clive Davis requested a cover of Tom Jans's "When the Rebel Comes Home". The title track, the last song cut after the band asked for more studio time, references the Doobie Brothers' "What a Fool Believes". Banjo and saxophone appear on "Heart of America". "Little Mistakes" employs a Phil Spector sound in its ironic treatment of a teenage tragedy song.

Critical reception

Critics had mixed reactions to the album. The Boston Globe highlighted its sly irony and appeal to teenagers and casual listeners. The Staten Island Advance praised the band's high-spirited energy but wondered if their work was parody, pastiche, or just formulaic. The Buffalo News liked its slick pop brashness. The Philadelphia Inquirer noted the Springsteen influence was nearly too obvious but felt the songs improved on the debut. The Quad-City Times called it a blend of new wave, power pop, and mainstream rock. Knight Ridder deemed it a great record from an unhyped band. The Detroit Free Press considered it one of the year's most underrated rock releases. Trouser Press, however, dismissed it as misplaced bombast.

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